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GOLDEN OPEN Acrylics are a slow-drying formulation with a slightly softer consistency than GOLDEN Heavy Body paints. The increased working time of these colors expands their range to include more traditional techniques once only possible with oils.
- Size: GOLDEN OPEN Acrylics: 2-ounce, & 4-ounce tubes
- Size: GOLDEN OPEN 4-ounce Thinners & Mediums
- Sets: GOLDEN OPEN (6) 2.4-ounce tubes
Golden Open Slow Drying Acrylic Paint Color Mixing Set: Modern Theory. Seven - 22 ml OPEN Colors, One - 59 ml OPEN Titanium White, One - 30 ml OPEN Thinner. OPEN Slow-Drying Acrylics have a remarkably relaxed working property that facilitates blending, softening, shading and glazing and fine detail. This eight-color set is capable of producing some of the cleanest, brightest mixes for a wide array of hues and shades. The set includes a reference guide/poster with proportions for mixing popular colors. OPEN colors can be mixed with Fluid and Heavy Body colors to control drying time.
- Includes Benzimidazolone Yellow Light, Benzimidazolone Yellow Medium, Naphthol Red Light, Quinacridone Magenta, Anthraquinone Blue, Phthalo Blue (Green Shade), Phthalo Green (Blue Shade), Titanium White (59 ml), OPEN Thinner (30 ml).
Golden OPEN Slow-Drying Acrylics Landscape Set. Seven - 22 ml Acrylic Tubes, One - 59 ml Acrylic Tube, One 30 ml OPEN Thinner. GOLDEN Acrylics remain wet far longer than other acrylics, facilitating blending, softening, shading, glazing and fine detail. They resist skinning on the palette during long painting sessions. These unique characteristics make them ideal for a range of techniques including portraiture, plein air painting, and mono-printing. Includes: 22 ml Cadmium Yellow Primrose, Yellow Ochre, Cadmium Red Light, Alizarin Crimson Hue, Ultramarine Blue, Manganese Blue Hue, Sap Green Hue, 59 ml Titanium White, 30 ml OPEN Thinner and an OPEN Application Guide.
GOLDEN Phosphorescent Green is a water-based acrylic medium that can be applied to various surfaces. The unique pigment used in its formulation is characterized by its ability to absorb and store natural and artificial light. When the light source is removed (i.e. when the lights are turned off or the painted object is taken into a dark area), a bright, greenish glow is emitted for up to 15 minutes. The glow steadily diminishes as the stored light energy is released.
Golden Poly Varnish Satin -Polymer Varnish with UVLS
Polymer Varnish with UVLS (UltraViolet Light Stabilizers) is a waterborne acrylic polymer varnish that dries to a protective, flexible, dust resistant surface over acrylic paint. Removable with ammonia. Available in Gloss, Satin, and Matte. Health Labeled (HL) Product. Not for use by children. Recommended for interior use only. Varnishes can assist the artwork in several ways. They can be used to change the surface gloss, making the surface more matte or higher gloss, or to provide the various areas of a painting with a more unified finish. They can also be used to increase color saturation. Varnishes offer protection for the underlying surface and allow for ease of cleaning of the painting or object. They are also often used to consolidate artwork, in a similar manner to a fixative for charcoal or pastel. Some varnishes offer additional protection in the form of Ultra Violet Light Stabilizers, which dissipate UV radiation before it can contact the artwork where damage may occur. These varnishes are especially useful for materials that are fugitive in nature, such as dyes, but will not render them completely lightfast. The thicker the film of varnish w/ UVLS, the greater the protection afforded.
OPEN Acrylic Medium (Gloss and Matte) has a lower viscosity and is used to extend paint and maintain properties when a more fluid mixture is desired to increase flow.
Thick acrylic gel mediums containing Ultra Violet Light Filters and Stabilizers (UVLS) to protect materials from fading and deterioration caused by exposure to UV radiation. Gel Topcoats dry to a permanent, flexible, non-removable coating. Available in Gloss and Semi-Gloss sheens. The Gloss version dries with great clarity and a highly reflective surface, while the Semi-Gloss dries to a translucent, more wax-like finish and like all topcoats may appear to alter color saturation.
• Not intended as a commercial topcoat for high wear items.
GOLDEN Porcelain Restoration Glaze is a reversible, water-based coating made in a Gloss finish. It is used to repair fine porcelain objects, such as dishes, figurines and dolls. GOLDEN Porcelain Restoration Glaze is intended for repairing non-functional objects only. It is not intended for use on items which may be washed or hold food.
• Golden Custom Product
• Made in U.S.A.
Gloss Golden Pouring Medium is useful for creating glazes, extending colors, enhancing gloss and translucency. It has an oil-like feel and a resinous nature that promotes flow and leveling. It is the best product for blocking Support Induced Discoloration. It is a low-crazing medium, which helps prevent the formation of crevices in the paint surface as it dries. Colors will hold their edges when poured wet into wet. Color Pouring Medium also helps to improve adhesion on chalky surfaces. It creates pours with a glossy surface
Gloss Golden Pouring Medium is useful for creating glazes, extending colors, enhancing gloss and translucency. It has an oil-like feel and a resinous nature that promotes flow and leveling. It is the best product for blocking Support Induced Discoloration. It is a low-crazing medium, which helps prevent the formation of crevices in the paint surface as it dries. Colors will hold their edges when poured wet into wet. Color Pouring Medium also helps to improve adhesion on chalky surfaces. It creates pours with a glossy surface.