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The 7000 Series is Jack Richeson's current generation of advanced synthetic brushes. To design this 21st century brush, they enlisted the aid of a renowned water media painter, Steve Quiller. Years ago synthetic brushes were not much more than chopped up fishing line bundled up and stuck on the end of a handle. They were horrible for the user, especially for the young student who often received this budget-priced creation. In selecting the perfect synthetic round brush, it must have a firm needle point, a body that will carry a large load of color and last, but very important, a body that will allow the color to gently release and not flood out on the paper. The 7000 Series of brushes is a wonder and at just a fraction of the cost of natural hair brushes. This brush has a beautiful gold seamless ferrule and is mounted on a classic matte black handle. This is truly the watercolor brush of the future.
The 7000 Series is Jack Richeson's current generation of advanced synthetic brushes. To design this 21st century brush, they enlisted the aid of a renowned water media painter, Steve Quiller. Years ago synthetic brushes were not much more than chopped up fishing line bundled up and stuck on the end of a handle. They were horrible for the user, especially for the young student who often received this budget-priced creation. Today’s watercolor painter finds “The Flats” even more important than the rounds. When wet, they come to a magnificent razor’s edge, allowing the thinnest line, a broad wash or anything in between. The ferrules on the 7010 flats have a round base up to the 1" size and the larger sizes have a folded flat base.
Cross braces are important. Remember that a painting may hang for years, and a long length of lumber can bow. Many artists require extra strength and stability in their stretcher bars and that is why BEST Artist Products manufactures high quality cross braces. BEST recommends cross braces for any length exceeding 36″. Use BEST Cross Brace Brackets to attach your brace to your frame.
Jack Richeson Butcher Porcelain Palette Trays
Jack Richeson Butcher Porcelain Palette Trays are made from Chinese porcelain and have a convex center so water will run to the edge, making them the perfect palettes for dry brush techniques in watercolor or gouache. Modeled after the original American butcher trays, the smooth surface cleans easily and can last a lifetime. They may occasionally come with chips on the rim, but this is normal and will not affect the working surface for the artist.
- Size: 7.5 in. x 11 in.
- Size: 11 in. x 15 in.
- Size: 13 in. x 17 in.
Protect and secure your brushes in this convenient brush roll-up. Made from 100% cotton canvas, the brush roll-up has nylon trim and ties for durability. Brushes easily slide into the slotted compartments, and the canvas flap folds over to protect brushes. Constructed of rugged, 100% cotton duck canvas, this brush roll-up is made to last.
• Overall size: 16.75" x 21.25"
Richeson Casein Professional Artist Colors are fast-drying, reworkable water-soluble paints. Caseins are great for underpainting and work with oils! Casein (kay'seen) is a quick-drying, aqueous medium using a milk-based binding agent, and is one of the most durable mediums known to man. Nine thousand year old casein cave paintings have been discovered in Asia, and later, the medium was used by Byzantine, Roman and Renaissance artists including the Old Masters.
• Finest quality with a friendly price tag
• Milk protein-based paints
• Dries to a natural matte finish
• Apply in any manner from impasto to watercolor
• Suitable for a variety of surfaces
Insert the disc shape you want, load the gun with clay and pull the trigger. By changing the color of the clay and the disc shape, an assortment of possibilities is created.
• Includes 19 discs
This palette cup features a bottom clip that slides over the edge of a palette. The primary use of this cup is to hold turpentine, linseed oil, or other mediums.
• Dimensions: 2-1/4" diameter x 3/4" deep
After years of trying to find a linoleum product that would be easier for artists of all ages to carve on, we have developed an innovative material that seems to be the answer and it can be worked mounted or unmounted. Working with traditional lino tools, it cuts like butter. It leaves beautiful, clean edges and works well on curves and tight corners. It is really an answer for those who have wrestled with tough or hard linoleum in the past. One of its real advantages is that it has a long shelf life - as much as ten times longer than that of traditional lino - so it will stay workable for much longer.
• Cuts like butter
• Creates clean edges
• Has a long shelf life
• Unmounted is carvable on both sides