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Great for the beginner and professional, these polished steel shapes are perfect for trimming and smoothing clay.
The 7000 Series is Jack Richeson's current generation of advanced synthetic brushes. To design this 21st century brush, they enlisted the aid of a renowned water media painter, Steve Quiller. Years ago synthetic brushes were not much more than chopped up fishing line bundled up and stuck on the end of a handle. They were horrible for the user, especially for the young student who often received this budget-priced creation. In selecting the perfect synthetic round brush, it must have a firm needle point, a body that will carry a large load of color and last, but very important, a body that will allow the color to gently release and not flood out on the paper. The 7000 Series of brushes is a wonder and at just a fraction of the cost of natural hair brushes. This brush has a beautiful gold seamless ferrule and is mounted on a classic matte black handle. This is truly the watercolor brush of the future.
The 7000 Series is Jack Richeson's current generation of advanced synthetic brushes. To design this 21st century brush, they enlisted the aid of a renowned water media painter, Steve Quiller. Years ago synthetic brushes were not much more than chopped up fishing line bundled up and stuck on the end of a handle. They were horrible for the user, especially for the young student who often received this budget-priced creation. Today’s watercolor painter finds “The Flats” even more important than the rounds. When wet, they come to a magnificent razor’s edge, allowing the thinnest line, a broad wash or anything in between. The ferrules on the 7010 flats have a round base up to the 1" size and the larger sizes have a folded flat base.
Armature wire creates the structure that keeps a sculpture together and provides a frame upon which to work. This economical aluminum wire is light weight, very pliable, non-staining, and non-corrosive.
Handmade, fine-quality boxwood tools used for shaping and finishing work, on and off the wheel. Both sizes are great for professional or student use. Individual shapes are numbered.
Insert the disc shape you want, load the gun with clay and pull the trigger. By changing the color of the clay and the disc shape, an assortment of possibilities is created.
• Includes 19 discs
Heavy gauge wire with wooden handles at each end. Makes cutting clay much easier.
Jack Richeson Lyptus Navajo Easel
This easel adjusts easily to a variety of positions for sitting or standing and folds flat for storage. This easel is suitable for: oil, acrylic, and casein.
• Maximum canvas height: 41-1/2"
• Base width/depth: 27-1/2" x 22"
• Extended easel height: 58"
• Assembly required
Richeson tabletop easels are great for plein air painting out of a vehicle, light for students who need to bring an easel with them, and easily packed to use for storage or conference displays. Inexpensive and very versatile - Great for artists with no floor space! • Maximum canvas height: 40" • Base width/depth: 18" x 18-1/4" • Compact easel height: 27-1/4" • Extended easel height: 48-3/4" • Made in Brazil
The sliding mast moves independently of the painting tray, offering artists a greater variety of settings in which to work. By extending the mast to its highest point and leaving the painting tray in its lowest setting, artists are able to work on very large canvases. Alternately, by moving the mast to its lowest setting, especially where ceiling height is a concern, artists can work both sitting and standing allowing for great versatility. With its H-frame construction and quad base, this easel offers great stability for working seated or standing. A slide and lock system adjusts the height.
• Maximum canvas height: 84"
• Base width/depth: 21" x 24"
• Compact easel height: 58"
• Extended easel height: 95"